I’M WONDERING… HOW WOULD DICK REACT TO THIS GROUP GATHERED TO HONOR HIM. NO DOUBT HE’D SAY DON’T MAKE ME SOUND DOUR AND BORING… BRING OUT BUBBA, BLY, ROY, ARFER AND BUCK…
BUT WE ALSO CALL DICK ‘OUR POET LAUREATE’, A MONICKER EACH ONE OF US CLAIMS TO HAVE COINED
TRUTH IS, NONE OF US CAN CLAIM IT, HE GAVE HIS PROSE TO EVERYONE
AND JUST AS WE THOUGHT EACH OF US WAS SPECIAL TO DICK…BECAUSE OVER THE YEARS, ONE BY ONE, HE GIFTED MANY OF US WITH A COPY OF STRUNK AND WHITE’S ELEMENTS OF STYLE…. TURNS OUT DICK TRIED TO RIGHT THE WRONGS OF ENGLISH USAGE WITH A PERSONALIZED MESSAGE TO FIT EACH RECIPIENT.
JANE EVANS’ SAYS: THE ANSWER TO EVERYTHING.
A TAPE EDITOR ASPIRING TO BE A NEWSPAPER WRITER, MIKE RAYE’S INSCRIPTION SAYS: TWO WEEKS AGO I COULDN’T EVEN SPELL REPORTER, AND NOW I ARE ONE.
MY COPY READS: HOW TO MUTTER CORRECTLY…..SO HERE I AM… MUTTERING…IN PUBLIC…ABOUT DICK
BUT BLY DIDN’T STAND ON CEREMONY
HE WAS A BIG CHARACTER
WITH A BIG PRESENCE
AND BIG THOUGHTS…EVEN FOR THE SMALLEST THINGS
HE ALSO HAD A BIG HEART
WHEN WE WON AN AWARD FOR THE IRON CURTAIN ODYSSEY, HE, AND TODD, DONATED THE MONEY TO THE EDUCATION OF A HANDICAPPED RWANDAN BOY MY HUSBAND BRIAN AND I SUPPORT.
A KIND AND GENEROUS GESTURE THAT I REPEATEDLY WITNESSED FROM MOZAMBIQUE, TO ROMANIA, TO IRAQ AND BEYOND.
DICK WAS ALSO A HUMBLE MAN, NOT A CHEST THUMPER.
HE TOLD STORIES, BUT NOT STORIES ABOUT HIMSELF.
DURING A LULL BETWEEN SCUD ATTACKS IN THE FIRST GULF WAR, HE WAS BEING INTERVIEWED ON THE PHONE BY A WRITER FOR POPULAR AMERICAN MAGAZINE. I COULD HEAR HIS DICK’S ANSWERS…MAKING HIMSELF SOUND LIKE ANY ELMIRA NEW YORK BOY NEXT DOOR.
AFTER A FEW MINUTES, I IMAGINED THE INTERVIEWER DRAWING BORED DOODLES IN HIS NOTEPAD. SO I IMPOLITELY GRABBED THE PHONE AND HASTILY SAID DOWN THE LINE:
LET ME TELL YOU A FEW OF THE THINGS THIS MAN HAS DONE, BECAUSE HE WON’T. LIKE THE TIME HE RISKED HIS OWN LIFE TO SAVE THAT OF A CAMBODIAN JOURNALIST AND HIS FAMILY AFTER PHNOM PENH FELL TO THE KHMER ROUGE.
SELF DEPRECATING, DICK ALWAYS CALLED HIMSELF A REPORTER, NOT A CORRESPONDENT, OR JOURNALIST. HE WAS THERE ‘JUST TO REPORT’.
BUT HE DID SO MUCH MORE THAN REPORT.
HE TAUGHT A GENERATION OF US ABOUT THE HUMAN CONDITION…. ABOUT SEEING THINGS THAT ARE IN PLAIN SIGHT BUT OFTEN OVERLOOKED…. ABOUT FINDING THE TRUTH AND TELLING IT…. ABOUT DEFENDING THOSE WHO NEED HELP AND CAN’T DO IT FOR THEMSELVES.
HOW TO BE KIND IN AN OFTEN UNKIND WORLD.
AND HOW TO LAUGH AT YOURSELF.
DICK WAS A BIT OF A MORAL COMPASS FOR SO MANY OF HIS YOUNGER COLLEAGUES.
HE HAD THE ABILITY TO BRING EVERYBODY’S GAME UP. PERSONALLY AND PROFESSIONALLY
YEARS OF BEING ON THE ROAD WITH BLY WAS A BIT HABIT FORMING. IN ADDITION TO DOING SOME GOOD JOURNALISM, IT WAS OFTEN ALSO A HOOT. YOU MISSED IT IF YOU HADN’T HAD A BUBBA ROAD TRIP IN A WHILE.
SO WHEN BRIAN AND I MOVED TO BOTSWANA, WE GOT AN EARLY EDITION GPS AS A PRESENT AT A GOING AWAY PARTY AT DICK AND HELLE’S HOUSE, OUR FIRST WAYPOINT.
FOR FIVE YEARS OF DRIVING AND GETTING LOST IN THE OKAVANGO DELTA, DICK AND THE BLYSTONE HOUSE ON PARSON’S GREEN WAS OUR CONSTANT REFERENCE POINT, EVEN IF SOME TEN THOUSAND KILOMETERS AWAY.
EVERY TIME WE’D CHECK THE GPS, WE’D END UP TELLING SOME DICK STORY. OR RECITE A LINE FROM A SCRIPT.
HOW COULD YOU NOT…WHO ELSE COULD EFFORTLESSLY AND EASILY EQUATE THE FREEDOM OF THOUGHT, THE FREEDOM OF WORSHIP, WITH THE FREEDOM OF GOING DOWN TO THE RIVER TO FISH IN THE DAYS OF COMMUNISM.
OR FIND JUST THE RIGHT SHELLEY VERSE TO RECITE IN ONE OF SADDAM HUSSEIN’S BOMBED OUT PALACES.
DICK EVENTUALLY CAME TO STAY WITH US FOR A FEW WEEKS IN THE DELTA TO SCRIPT AN ELEPHANT DOCUMENTARY WE WERE WORKING ON.
HE LIKED IT SO MUCH, HE CAME BACK TO BOTSWANA WITH HELLE AND SPENT A FEW MONTHS LIVING IN THE CAPITAL GABORONE WHERE DICK GOT A TEACHING GIG AT THE UNIVERSITY OF BOTSWANA ONE SEMESTER.
HE WAS TASKED WITH TEACHING TV DOCUMENTARY PRODUCTION AND NEWS ROOM MANAGEMENT.
I’M NOT SURE DICK KNEW HOW TO MANAGE A NEWS ROOM, BUT ALL OF US, INCLUDING HIS BOSSES, KNEW HE CERTAINLY HAD A FEW IDEAS OF HIS OWN.
AT THE TIME, IN AN EMAIL TO A COLLEAGUE, DICK WROTE ‘I’M TEACHING NEWS MANAGEMENT – WHICH I KNOW ONLY AS A VICTIM’
AS FOR DOCUMENTARY PRODUCTION, DICK LINED UP NANOOK OF THE NORTH. A SILENT FILM SHOT IN THE CANADIAN ARCTIC IN 1922. DICK SHOWED IT TO PEOPLE WHO LIVE ON THE EDGES OF THE KALAHARI DESERT ON THE OTHER SIDE OF THE PLANET. AND WHO ONLY GOT TELEVISION IN THE COUNTRY THREE YEARS PRIOR. IT DIDN’T MAKE THE IMPRESSION HE WANTED IT TO.
BUT BECAUSE DICK SAW WHAT MANY OF US COULDN’T, HE HAD HOPED OTHERS COULD TOO.
HIS MIND KNEW NO BOUNDARIES. IT SOARED AND IT FOUND THE WORDS.
DICK, JUST COULDN’T BE FENCED IN.
AND THAT, MIGHT AS WELL BE HIS ANTHEM – DON’T FENCE ME IN
Ingrid Formanek
HE ‘CAST HIMSELF AS AN INNOCENT, WITH A DECIDEDLY JAUNDICED, FEISTY GAZE ON THE REST OF THE WORLD.’
THIS DESCRIPTION IS ABOUT SAMUEL CLEMENS– KNOWN FOR HIS HUMOR AND ABILITY TO CLEARLY REVEAL THE GRITTY REALITY OF 19TH CENTURY LIFE IN AMERICA.
CLEMENS AND RICHARD BLYSTONE WERE BOTH NAVIGATORS FOR HIRE-
CLEMENS SPENT 4 YEARS PILOTING A MISSISSIPPI RIVERBOAT, BEFORE THE CIVIL WAR BEGAN, AND HE CHANGED COURSE AND BECAME A WRITER.
BLYSTONE SPENT 4 YEARS WITH THE NAVY FLYING OVER THE NORTH ATLANTIC, DURING THE COLD WAR, TRACKING SOVIET SUBS, BEFORE HE MAPPED OUT A CAREER AS A REPORTER.
AMONG THE PUBLIC, SAMUEL CLEMENS WAS KNOWN BY THE RIVERBOAT TERM: MARK TWAIN
AMONG HIS COLLEAGUES, RICHARD BLYSTONE WAS KNOWN BY THE ROAD-NAMES: BUCK, ARFER, FLOYD, AVERY, DMITRI AND PERHAPS MOST FAMOUSLY…. BUBBA.
HE WAS A BIG PART OF THE EARLY RAGTAG CNN DAYS, STARTING THE FLEDGLING 24 HOUR NEWS CHANNEL, WHEN PERHAPS, ON THE ROAD, THE ONLY WAY TO PROTECT YOURSELF AND YOUR SANITY WAS TO USE NICKNAMES.
MARK TWAIN FINISHED TRAVELING, SETTLED DOWN AND WROTE HIS GREATEST WORKS INCLUDING HUCKLEBERRY FINN IN ELMIRA, NEW YORK.
IT SEEMS THAT THERE MAY BE SOME MAGIC IN THAT BELOVED TOWN- 26 YEARS AFTER TWAIN WAS BURIED THERE, BUBBA BLYSTONE WAS BORN.
ANOTHER GREAT WRITER WHO WOULD CAPTURE THE WORLD WITH COMPELLING CLARITY, FIRST FOR AP AND THEN FOR CNN.
I HOLD THE HONOR OF BEING THE KEEPER OF BLYSTONE’S MASTER TAPES. WHEN CNN MOVED FROM TAPE TO DIGITS- THE LONDON ONES, ARCHIVED IN ATLANTA, WERE DESTINED FOR THE DUSTBIN.
AS WE STOOD LOOKING AT THIS MOUNTAIN OF CASSETTES, JIM BOULDEN SAID, “THEY SHOULD NOT THROW AWAY BLYSTONE’S TAPES- THOSE ARE MASTERS IN MORE WAYS THAN ONE”. SO I MOVED THEM… TO A SAFE PLACE…
AND STORED THEM AWAY LIKE LETTERS FROM A CLOSE FRIEND THAT WARMS YOUR HEART.
TO ME, IT IS LIKE CURATING A CLASSIC BAND’S ARCHIVE- IT IS NOT ONLY THE HITS THAT SATISFY THE SOUL, BUT ALSO THE DEEP CUTS.
LIKE GREAT MUSIC, THE STORIES BEAR REPEAT VIEWING, REVEALING INTRICATE LAYERS OF THOUGHTS AND CONNECTIONS PREVIOUSLY UNHEARD OR FORGOTTEN.
IN THE FLURRY TO GET NEWS OUT A-S-A-P. OFTEN THE EDITORS AND THE SHOOTERS DID NOT EVEN KNOW WHAT A GEM THEY HAD WORKED ON UNTIL THEY WATCHED IT ON AIR.
RAW PICTURES AND WORDS EDITED TOGETHER,
AS BEST THEY COULD,
AS FAST AS THEY COULD,
TO MAKE THE FEED,
NOT KNOWING THOSE QUICK CUTS REVEALED THE BRILLIANT FACETS OF SHIMMERING BLYSTONE DIAMONDS.
EVERYONE WHO WORKED WITH DICK CONSIDERED THEMSELVES LUCKY, BUT DICK WAS PARTICULARLY BELOVED BY THE CAMERA TEAMS HE WORKED WITH, BECAUSE HE CARED ABOUT THE PICTURES AND YOUR OPINIONS OF WHAT WAS BEST AND WHAT HE SHOULD USE IN HIS STORY.
I WAS LUCKY- I DID THE BUBBA TOURS QUITE A BIT.
HE HAD A CHILD-LIKE WONDER ABOUT THE WORLD THAT WAS INFECTIOUS.
MY FAVORITE TRIP WAS REVISITING THE LENGTH OF THE IRON CURTAIN FROM THE BALTIC SEA TO THE ADRIATIC IN 1999, WITH INGRID DRIVING/TRANSLATING/PRODUCING, AND DICK CREATING.
AFTER THE SHOOT, LIKE RUSSIAN TANKS WE PUSHED WEST AND INVADED PARSONS GREEN, AND ENCAMPED IN THE BLYSTONE HOME.
THERE WE BUILT CNN’S OWN IRON CURTAIN OF AN EDIT SUITE, IN THE BLYSTONE FRONT PARLOUR, WRITING AND EDITING TOGETHER FOR MORE THAN A MONTH.
HELLE NEVER DID DECLARE: “DICK BLYSTONE TEAR DOWN THIS WALL… OF EQUIPMENT.”
AT LEAST NOT OUTLOUD… AT LEAST THAT I HEARD.
FOR ME THE COMRADERIE, THE JOKES, AND THE STORIES DICK AND INGRID TOLD WHILE HUDDLED AROUND THE WARMTH OF AN SX EDIT SUITE WERE ALMOST AS PRICELESS AS THE STORIES WE PUT TOGETHER.
THOSE ARE THE GOLDEN MOMENTS EMBOSSED IN MY MEMORY.
DICK HAD A WORD: DREAM-O-VISION
WHICH BECAME A LIST FOR THE PHOTOJOURNALIST TO ATTEMPT TO SHOOT AND WHEN HE ASKED YOU TO GET A CERTAIN SHOT YOU MIGHT NOT KNOW WHAT HE HAD IN MIND- BUT HE DID.
SHOOT THE MISERABLE PEOPLE RIDING IN BUSES, HE SAID, IN KALININGRAD, BECAUSE HE ALREADY HAD THOUGHT TO EQUATE THOSE PRESSURE-COOKED PROLETARIAT BEHIND THE WAVY GLASS, TO THE BUGS FROZEN IN TIME IN THE PRECIOUS AMBER THAT WASHES UP ON THE SHORES THERE.
BLYSTONE PLOTTED HIS ROUTE ON THE SAME MAP THAT WE ALL HAVE BUT HAD THE ABILITY TO REACH A DIFFERENT DESTINATION.
BLAZING A TRAIL WITH HUMOR AND HUMANITY, TRACKING IN HIS GRUFF LOVABLE VOICE, HE OFTEN WAS AT HIS MOST POETIC WHILE TRAVERSING THE MOST MISERABLE STORIES.
HE TOOK THE SAME WORDS WE USE AND FORGED THEM INTO SOMETHING ELSE ENTIRELY.
SHAPING THE KIND OF NEWS PIECES THAT MADE PEOPLE STOP…
WATCH…
LISTEN…
AND THINK.
RICHARD BLYSTONE- THE NAVIGATOR FOR HIRE FROM ELMIRA “CAST HIMSELF AS AN INNOCENT, WITH A DECIDEDLY JAUNDICED, FEISTY GAZE ON THE REST OF THE WORLD”
YEA, I WAS LUCKY- WE ALL WERE.
HE WAS A CHERISHED COLLEAGUE, A GREAT FRIEND AND A CNN LEGEND IN EVERY SENSE OF THE WORD AND IN EVERY SENSE OF HIS WORDS.
Todd Baxter